[13] Sonatas XIV–XV follow the AABB scheme but are paired and given the joint title Gemini—after the work of Richard Lippold, referring to a sculpture by Lippold. John Cage: Sonatas & Interludes for Prepared Piano. 1.Sonate I 2.Sonate Ii 3.Sonate Iii 4.Sonate Iv 5.Premier Interlude 6.Sonate V 7.Sonate Vi 8.Sonate Vii 9.Sonate Viii 10.Deuxième Interlude 11.Troisième Interlude 12.Sonate Ix 13.Sonate X 14.Sonate Xi 15.Sonate Xii 16.Quatrième Interlude 17.Sonate Xiii 18.Sonates Xiv Et Xv "Gemini" D'Après L'½Uvre De Richard Lippold 19.Sonate Xvi Acquista il CD Sonate E Interludi Per Piano Preparato di John Cage in offerta su La Feltrinelli. Review of Sonatas and Interludes for prepared piano by John Cage, performances by Louis Goldstein and Julia Steinberg. Motivazione: Sonatas and Interludes è senz'altro una delle composizioni chiave della carriera di John Cage e quindi di tutta la scena musicale moderna. But the composer she describes and the music she writes about are clearly the same ones we hear in this recording. Sonate e Interludi per pianoforte preparato di John Cage in offerta su IBS.it a 34.90€! B is also repeated, and BB gives the second half of the proportion: 3¼, 3¼. Immediately after The Seasons Cage returned to Sonatas and Interludes, and by March 1948 it was completed. However, in Sonatas and Interludes the preparation is very complex, more so than in any of the earlier pieces. [13][18] Work on the project was interrupted in early 1947, when Cage made a break to compose The Seasons, a ballet in one act also inspired by ideas from Indian philosophy. [23] The portion of the keyboard above F#3 is divided into roughly three registers: low, middle, and high. John Cage was one of America's most important avant-garde / classical / conceptual composers of the 20th century. Despite the detailed instructions, any preparation is bound to be different from any other, and Cage himself suggested that there is no strict plan to adhere to: "if you enjoy playing the Sonatas and Interludes then do it so that it seems right to you". Pagine nella categoria "Composizioni di John Cage" Questa categoria contiene le 7 pagine indicate di seguito, su un totale di 7. Sonatas and Interludes (1946-48) were the culmination of Cage’s early work and brought together many aspects of music and philosophy that were preoccupying him up to the end of the 1940s. Fu l'ideatore del cosiddetto "pianoforte preparato" (opere: Sonate e Interludi per pianoforte preparato e Four Walls): va ascoltata in proposito Bacchanale, for prepared piano del … Performances are fresh and lively with plenty of energy. For the complete discography with reissues and partial recordings listed, see the link to the John Cage database below. Section A consists of a single unit, composed according to the given proportion: correlation on the microscopic level. This list is organized chronologically and presents only the complete recordings. 82–83, Perry pp. For example, unit length of 8½ in the first section of Sonata III is achieved by using six bars in 2/2 time and two in 5/4 (rather than eight bars in 2/2 and one in 1/2). Find release reviews and credits for John Cage: Sonatas & Interludes for Prepared Piano - John Tilbury on AllMusic - 2006 - Even though pianist John Tilbury gave this… John Cage . L'unione sapiente di piano preparato, forma occidentale e spiritualità indiana consegnano il nostro alla piena maturità artistica. [1] Forty-five notes are prepared, mostly using screws and various types of bolts, but also with fifteen pieces of rubber, four pieces of plastic, several nuts and one eraser. Acquista il CD Sonate E Interludi Per Piano Preparato di John Cage in offerta su La Feltrinelli. Cage, booklet text for Ajemian's recording of the cycle: For details and the full text of Boulez' lecture, see Pierre Boulez, John Cage, Robert Samuels, Jean-Jacques Nattiez. Scopri gli album e i dischi in vendita online a prezzi scontati. Start studying Cage's Sonatas and Interludes, Sonata V. Learn vocabulary, terms, and more with flashcards, games, and other study tools. [16] The choice of materials and the technique of piano preparation in Sonatas and Interludes were largely dependent on improvisation: Cage later wrote that the cycle was composed "by playing the piano, listening to differences [and] making a choice". [1] Different methods are used: certain notes produce sounds that retain the original frequency and a pianistic character; others become drum-like sounds, detuned versions of the original notes, or metallic, rattling sounds that have no sense of the fundamental frequency at all. The works are not cast in the later sonata form which is far more elaborate. (The instrument, pioneered by Cage, is a piano that has been preset with various sound modifiers or "preparations" of different materials on its strings, hammers, and dampers.) But be careful not to boost the volume too high, because there are some boldly accented and strongly rhythmic passages that provide contrast and may startle the unsuspecting listener. [2][29] In his 1949 lecture on Sonatas and Interludes Pierre Boulez specifically emphasized the connection between tradition and innovation in Sonatas and Interludes: "The structure of these sonatas brings together a pre-Classical structure and a rhythmic structure which belong to two entirely different worlds."[21]. Cage started working on the cycle in February 1946, while living in New York City. CAGE, John. The only exceptions are sonatas IX–XI, which feature three sections: prelude, interlude, and postlude. For example, the note C5 is a metallic sound with no fundamental discernible when the soft pedal is depressed, but it sounds fairly normal if the pedal is released. 41–42, and many other sources. American Music, Vol. [23] It appears that Cage was fully aware of the implications of this: certain sonatas feature interplay between two versions of one note, others place special emphasis on particular notes, and still others are very dependent on particular note combinations.[24]. [13], For the most part Cage avoids using lower registers of the piano, and much of the music's melodic foreground lies in the soprano range. Autosegnalazione. Acquista il CD Locations. 16 Sonate e 4 Interludi (1946-1948) Numero articolo: EP6755 Editore: Peters ISBN / ISMN: 9790300741574 A pioneer of chance music, electronic music and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. 0–9. 16, No. same way that we might listen to a work by any other com-poser from his, or an earlier, centur y. Nicholls, p. 80: "Most critics agree that. Therefore, AABB has proportions 1, 1, 3¼, 3¼: correlation on the macroscopic level. Copyright 1960 by Henmar Press. Premiered in 1948, Sonatas and Interludes was John Cage's magnum opus for the prepared … French pianist Gerard Fremy's interpretation of Cage's classic Sonatas and Interludes for Prepared Piano provides a new insight into this cycle of works exploring the prepared piano. In Sonatas and Interludes, however, the proportions are more complex, partly because fractions are used. John Cage described the work as an attempt to express in music the “permanent emotions” of Indian tradition: the heroic, the erotic, the wondrous, the mirthful, sorrow, fear, anger, the odious and their common tendency towards tranquility. She was attuned to Cage’s quiet introspection, and opens her article accordingly: The image of Cage’s music that she conveys is one of fragility, delicacy, and sensitivity. Buy CD or download online. [22] It takes about two or three hours to prepare a piano for performance. In many sonatas the microstructure—how the melodic lines are constructed—deviates slightly from the pre-defined proportion. The idea of a collection of short pieces was apparently prompted by the poet Edwin Denby, who had remarked that short pieces "can have in them just as much as long pieces can". Ciao. There he met Olivier Messiaen, who helped organize a performance of the work for his students in Paris on June 7, 1949; and he befriended Pierre Boulez, who became an early admirer of the work and wrote a lecture about it for the June 17, 1949 performance at the salon of Suzanne Tézenas in Paris. Sonatas and Interludes is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). Easily the best known and most popular of John Cage 's works for prepared piano, the … Sonatas and Interludes, for prepared piano. Titolo originale:Sonates Et Interludes Incluso avviso esplicativo. Sonates et Interludes est un cycle d'une vingtaine de pièces pour piano préparé écrit par le compositeur américain John Cage en 1946-1948, peu de temps après ses recherches en philosophie indienne et après avoir reçu les enseignements de l'historien de l'art Ananda K. Coomaraswamy qui a largement influencé son travail par la suite. The interludes, on the other hand, do not have a unifying scheme. 1", "CAGE: Sonatas and Interludes for Prepared Piano", "Sonatas and Interludes for Prepared Piano", "John Cage – Volume 34: The Piano Works 7", "John Cage – Nora Skuta: Sonatas & Interludes", "Sonatas and Interludes/In a Landscape – Kate Boyd, piano", The New Grove Dictionary of Music and Musicians, John Cage Revision Notes: Sonatas and Interludes for prepared piano, James Pritchett: "Six views of the Sonatas and interludes", 4'33" and Sonatas and Interludes for prepared piano performed by James Tenney, https://en.wikipedia.org/w/index.php?title=Sonatas_and_Interludes&oldid=972059820, Wikipedia articles incorporating the Cite Grove template, Wikipedia articles incorporating the Cite Grove template without a link parameter, Creative Commons Attribution-ShareAlike License, John Damgaard – 1971, Membran Quadromania 222190-444 (4CD, incl. 83–84. Acquista il CD Sonate e Interludi per pianoforte preparato di John Cage in offerta su IBS.it a 10.50€! The influence of his works such as sonatas and interludes for prepared piano in both jazz and underground popular music (Stereolab, broadcast and the like). Sonata V by John Cage for Prepared Piano, from Sonatas and Interludes, performed by Inara Ferreira. There is just one long track on … a multimedia CD), Nora Skuta – 2004, Hevhetia Records HV 0011-2-131, Giancarlo Simonacci – 2005, Brilliant Classics 8189 (3CD, part of, Antonis Anissegos – 2014, WERGO (WER 67822), Kate Boyd – 2014, Navona Records (NV5984). This recording of the John Cage Sonatas and Interludes was made by Maro Ajemian in 1951 and was first issued at the end of that year by Dial Records on two LP discs. [5] For instance, the proportion for Sonata III is 1, 1, 3¼, 3¼ (in whole notes), and a unit here is equal to 8½ bars (the end of a unit is marked with a double barline in the score, unless it coincides with the end of a section). For details on this topic, see Marjorie Perloff, Charles Junkerman: John Cage interview by Johnatan Cott, 1963. View credits, reviews, tracks and shop for the 2012 CD release of Sonatas & Interludes on Discogs. Cage, born on September 5, 1912 in the United States. Because much of this work is quite soft and sparse, and intended to be played with the lightest touch, listeners should pay close attention to follow Pescia's controlled and extremely refined interpretation. Cage dedicated Sonatas and Interludes to Maro Ajemian, a pianist and friend. In his Sonatas and Interludes John Cage stuck to the concise, one-movement form, thus establishing a link to Scarlatti and Bach's preludes as well as to Chopin's Préludes and Satie's piano pieces. [28] The complexity of proportions prompted Cage to use asymmetric musical phrases and somewhat frequent changes of time signature to achieve both microscopic and macroscopic correlation. The proportions were chosen arbitrarily in all but the last four pieces in the cycle: sonatas XIII and XVI use symmetrical proportions, and sonatas XIV and XV share the 2, 2, 3, 3 proportion. Peggy Glanville-Hicks never mentions the Sonatas and interludes in the profile of John Cage that she wrote for the September 1948 issue of Musical America. "John Cage: Sonatas And Interludes For Prepared Piano", "Yuji Takahashi plays John Cage – Sonatas and Interludes Vol.1–2", "What Hath Liszt Wrought? Of the forty-five prepared notes, only three belong to the three lowest octaves below F#3: D3, D2 and D1. Fremy had, at the time of the release of this recording, performed this cycle nearly 30 times -- and frequently with Cage himself in the audience. Sonate e interludi (Sonatas and Interludes) è un ciclo di venti composizioni musicali per pianoforte preparato del compositore statunitense d'avanguardia John Cage, il quale lo portò a termine fra il 1946 e il 1948, subito dopo essere stato introdotto alla filosofia indiana e aver appreso gli insegnamenti di Ananda Coomaraswamy, che lo avrebbero poi influenzato per i lavori successivi. [29], Cage had frequently used the nested proportions technique and its variations before, most notably in First Construction (in Metal) (1939), which was the first piece to use it,[30] and numerous dance-related works for prepared piano. Furthermore, D2 is prepared in such a way that the resulting sound has the frequency of a D4 (resulting in two variants of D4 available, one more prepared than the other). The use of the soft pedal, which makes the hammers strike only two of the three strings of each note (or one, for notes with only two strings), complicates the matter further. Album: John Cage Sonatas and interludes for prepared piano Pladeselskab: Classico År: 2006 Kanaler der spiller Sonatas and interludes, Sonate nr 5 Afspilninger er baseret på spillehistorik siden 2010. - Compositore statunitense, nato a Los Angeles il 5 novembre 1912; allievo per il pianoforte di F. Ch. Cédric Pescia's 2012 release on Æon is a worthy addition to the growing list of first-rate recordings, and the care and subtlety he brings to his performance contribute to the music's piquant charm and haunting ambience. "Cage's Sonatas and Interludes for prepared piano: performance, hearing and analysis", This page was last edited on 9 August 2020, at 23:27. This symmetry, and the adherence of all four sonatas to the ten-bar unit, were explained by Cage as an expression of tranquility. The structure of this sonata is AABB. A is repeated, and AA forms the first part of the proportion on the macroscopic level: 1, 1. The ordered conception and the variety of technique, mood and colour that it … Copyright 1960 by Henmar Press. Sonatas and Interludes, composed in 1946-48, is John Cage’s most important work for prepared piano. The musical phrases within each unit are also governed by the same proportion. This recording of the Sonatas & Interludes for prepared piano, some of the most emblematic works in his catalog, presents one of the great classics of 20th century music performed by young Swiss pianist Cédric Pescia. W e can hear Cage, in other words, in m uch the. many other works), 1999, Ants Records AG 06 (2CD, live recording), 2000, SoLyd Records SLR 0303 (live recording), Nada Kolundžija – c. 1981, Diskos LPD-930 (2LP), Darryl Rosenberg – c. 1986, VQR Digital VQR 2001, Jean Pierre Dupuy – 1997, Stradivarius 33422, Giancarlo Cardini – 1999, Materiali Sonori, Tim Ovens – c. 2002, CordAria CACD 566 (incl. Thanks to close microphone placement, the varied sounds of the prepared piano are clearly distinguished and fully audible, and the resonant studio space lends a pleasant aura to the performance. Jeffrey Perry. If this is true, more in- interludi, e si caratterizza a tutta prima perché dedicato al pianoforte preparato: si tratta di un’invenzione dello stesso Cage, risalente al 1938, quando il compositore scrisse la musica per la coreografia di Syvilla Fort The interpretation [13] Cage started composing for prepared piano in 1940, when he wrote a piece called Bacchanale for a dance by Syvilla Fort, and by 1946 had already composed a large number of works for the instrument. It was the signature of a composer from the West."[15]. 1 (Spring, 1998), pp. [21] While still living in Paris, Cage began writing String Quartet in Four Parts, yet another work influenced by Indian philosophy. Questo ciclo composto tra il 1946 e il 1948, comprende 16 sonate e 4 . Pritchett, p. 33. info)), is "clearly European. In addition to problems in his artistic life, Cage also had to deal with personal troubles: a divorce from his wife of ten years in 1945, and a change in his sexuality that had happened by 1942. B consists of three units and an appendix of ¼ of a unit. Available as streaming audio at. [17] On several accounts he offered a poetic metaphor for this process, comparing it with collecting shells while walking along a beach. The cycle comprises sixteen sonatas and four interludes, arranged symmetrically. She makes a point of describing Richard Lippold’s small wire sculpture… Sonatas and Interludes has been recorded many times, both in its complete form and in parts. Nicholls also provides examples of sonatas connected by the use of identical note combinations. Other than many of his later, freer works, these small but complex gems are … Critical reaction was uneven,[19] but mostly positive,[20] and the success of Sonatas and Interludes led to a grant from the Guggenheim Foundation, which Cage received in 1949, allowing him to make a six-month trip to Europe. Nicholls, p. 81. Even so, the overall character of Sonatas and Interludes is strongly reminiscent of Asian music, and the bell-like tones and repeated patterns can induce a soothing or meditative state, not unlike the effect of Javanese gamelan music. View credits, reviews, tracks and shop for the 1980 Title Sleeve, Orange Printing, French Text Vinyl release of Sonates Et Interludes Pour Piano Préparé (1946-48) on Discogs. Ti propongo una scheda aperta che dovrai compilare tu stesso in base a informazioni desunte dagli appunti presi in classe, dal libro di testo, da altre fonti e idee e osservazioni anche di tipo personale (purché motivate: affermo una cosa e ne spiego le ragioni). Four groups of four sonatas each are separated by interludes in the following way: Cage refers to his pieces as sonata in the sense that these works are cast in the form that early classical keyboard sonatas (such as those of Scarlatti) were: AABB. Years of recording are given, not years of release. Score: Edition Peters, 6755. Joshua Pierce Ajemian performed the work many times since 1949, including one of the first performances of the complete cycle on January 12, 1949, in Carnegie Hall. Wergo: 1306759246479. The main technique Cage used for composition is that of nested proportions: an arbitrary sequence of numbers defines the structure of a piece on both the macroscopic and the microscopic level, so that the larger parts of each piece are in the same relation to the whole as the smaller parts are to a single unit of it. Scopri gli album e i dischi in vendita online a prezzi scontati. See examples of analysis in Perry, and in Nicholls, pp. Table of preparations in Edition Peters, 6755. 130–133. Sonate e interludi (Sonatas and Interludes) è un ciclo di venti composizioni musicali per … Dillon, studiò composizione a Parigi con R. Buhlig, e successivamente con A. Weiss e H. [...] ; né si può negare la suggestione di alcune sue opere, come per es. [27] See Example 2 for a graph of the structure of Sonata III. Inizio concerto ore 19.30 Mercoledì 12 e giovedì 13 luglio dalle 10 alle 13 e dalle 15 alle 18 Larry J. Solomon. Questa settimana importante serie di appuntamenti con la musica contemporanea presso il Conservatorio di Musica “Nino Rota” di Monopoli: Martedì 11 luglio: CONCERTO SONATE E INTERLUDI Giancarlo Simonacci, pianoforte Preparazione del pianoforte ore 16. Cage: Sonatas and Interludes for Prepared Piano James Tenney (piano) His brisk, bracingly abrasive, brightly percussive account, part analytical, part declamatory, is like an inquisitive composer’s test drive of the piece and makes for an exhilarating ride — International Piano, September/October 2012 More… Analogous explanations are given in Nicholls pp. About. Easily the best known and most popular of John Cage's works for prepared piano, the Sonatas and Interludes (1946-1948) capture the imagination through their delicacy and exoticism. Catalogue numbers are indicated for the latest available CD versions. On many other occasions in the late 1940s and early 1950s, Cage performed it himself. The first two are free-form movements, whereas interludes 3 and 4 have a four-section structure with repeats for each section.[2]. In the text accompanying the first recording of Sonatas and Interludes, Cage specifically stated that the use of preparations is not a criticism of the instrument, but a simple practical measure. John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer, philosopher, poet, music theorist, artist, printmaker, and amateur mycologist and mushroom collector. Tra il 1946 e il 1948 scrive il suo lavoro per piano preparato più acclamato: Sonate e interludi. Jean Sibelius, Henri Dutilleux and John Cage", "Cage's Prepared Piano Revisited: Julie Steinberg, piano, on Music & Arts CD-937", "John Cage (1912–1992) – Complete Piano Music Vol. Sonate e intermezzi John Cage Partitura - Piano preparato. The low register has the heaviest preparation, and the high register the lightest.

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